The Ear
 A New Approach to Ear Training: A Programmed Course in Melodic and Harmonic Dictation by Leo Kraft, Now in its second edition, A New Approach to Ear Training provides students with the means to master ear-training skills on their own and at their own pace. Organized into four large sections of crefully graded exercises that correspond to the progression of material in most theory courses, A New Approach to Ear Training offers instructors remarkable flexibility, enabling them to use the book as an assigned text or as a supplement for students to work through on their own. The text truly heralds a new approach to teaching ear training and aural skills. Melodic and Harmonic Dictation--The Second Edition now features chapters on both melodic and harmonic (four-part) dictation-all the necessary material for ear-training classes gathered into one text. This approach encourages students to recognize the long-range harmonic organization and overall structure that the melodies imply. A wealth of melodies from the standard music literature are interspersed with newly written melodies that gradually introduce increasingly complex musical elements. Exercises in harmonic dictation direct students' attention to voice leading, particularly between the soprano and bass, and ask students to identify chords, inversions, and large-scale harmonic function. Sound Pedagogy A smart new design-featuring cleat headings and shaded boxes-makes the text easy to navigate. A carefully conceived progression of exercises in each chapter introduces new concepts one at a time. Lessons include drills in special topics, designed so that students can work on their own. These drills-like sessions in a practice room-allow students to focus on particular problem areas. Review lessons help students prepare for the tests included in the text. Music examples represent an array of tonal styles.
 More Birding by Ear, Eastern and Central North America by Richard K. Walton, A continuation of the successful BIRDING BY EAR system for learning bird songs. Just as the original BIRDING BY EAR audio introduces listeners to a unique method of learning and remembering bird songs, MORE BIRDING BY EAR employs these proven techniques for ninety-six additional species of birds found east of the Rockies. Walton and Lawson have created learning groups of similar vocalizations and clearly point out distinguishing characteristics, using phonetics, mnemonics, and other memory aids. MORE BIRDING BY EAR will increase your skill and enjoyment in the field by helping you learn the vocalizations of twenty-five species of warblers, all of the North American rails, and an assortment of terns, other waterbirds, and passerines. Many shorebird call notes are also included. Combine the auditory instruction here with the visual features of the Peterson Identification System. Page numbers in MORE BIRDING BY EAR's booklet refer to species descriptions in the PETERSON FIELD GUIDE TO BIRDS OF EASTERN AND CENTRAL NORTH AMERICA, fifth edition.
Ear canal - The ear canal or external auditory meatus is a tube running from the outer ear to the middle ear. The ear canal extends from the pinna to the eardrum and is about 26 mm in length and 7 mm in diameter. Ear piercing instrument - An ear piercing instrument, more commonly an ear piercing gun, is a medical instrument usually used to pierce earlobes by forcing a sharpened starter earring through the earlobe. Ear piercing instruments come in both disposable and reusable models that are primarily of two different designs. The Broken Ear - The Broken Ear (originally L'Oreille Cassée) is a one of a series of classic comic-strip albums, written and illustrated by Belgian writer and illustrator Hergé, featuring young reporter Tintin as a hero. The Broken Ear was serialized in 1935, and first collected in book form in French in 1943. Ear training - Ear training or Aural training is what musicians do to improve their ability to identify the sounds of different chords, intervals, rhythms, and other elements of music. Singing plays an important part in ear training, since one must be able hear music in one's head and match pitch before it is possible to sing it reliably.
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